New Delhi:
Ananya Panday, criticised for her starkid privileges, grabbed the headlines along with her current back-to-back performances within the Netflix originals Kho Gaye Hum Kahan, Name Me Bae and CTRL. Director Vikramaditya Motwane, who helmed Ananya in CTRL, praised her whole-heartedly in a current interview with Mashable India. Vikramaditya referred to as her a “safe” actor and in addition shared she’s not insecure about her glamorous look. Vikramaditya mentioned, “(She is) not insecure about the way in which she appears, about her strains or about something. That safety is superb to have in an actor. Kaam toh karti hai (She does work), rehearses quite a bit, works very exhausting, (is) very honest…”
The director additionally recalled how Ananya adopted his directions whereas capturing for the movie. The director shared that he requested the actress to “neglect environment” as she needed to shoot the entire film whereas holding her face in entrance of a laptop computer display.
Earlier in an interview with Information 18, Ananya talked about her struggles with imposter syndrome, “My imposter syndrome comes from one thing so simple as when somebody says my title. Throughout interviews and stuff, I really feel like my title is not actually mine, and it makes me really feel like a 3rd individual. That pushes me to all of a sudden grow to be like another person. After I see myself on a billboard, I really feel prefer it’s not me that I am taking a look at. The identical factor occurs after I watch considered one of my movies. I watch them like an viewers member and neglect that it is really me on display,” mentioned the actor.
CTRL explores the darkish realities of the cyber world and the way it can intrude into the non-public area of a person. Other than Ananya Panday, the film stars Aparshakti Khurana, Vihaan Samat. The movie was launched on the streaming large Netflix. In his assessment for NDTV, movie critic Saibal Chatterjee wrote, “CTRL, in spirit and substance, reinforces Motwane’s confirmed penchant for turning a longtime style on its head. He did simply that in Trapped, Bhavesh Joshi Superhero and AK vs AK with various levels of success. Since these movies have been experiments with type and narrative conventions, their industrial (or vital) destiny is immaterial.”
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